The Gena Branscombe Collection

Finding Aid

The Gena Branscombe Collection (https://www.lib.jmu.edu/music/branscombe_collection/)

Scope and Content

The collection from Gena Branscombe’s compositions was given to the Music Library at James Madison University in 1993 as a gift from Gena Branscombe’s daughter, Gena Tenney Phenix.  The collection contains 32 items, consisting mostly of works for solo voice and chorus, as well as articles, photographs and correspondence papers.  The only instrumental works in this collection are three pieces for French horn and piano.  Two comprehensive collections of the published and manuscript works of Gena Branscombe exist in the Music Library at the Center for the Performing Arts at Lincoln Center in New York City, and the National Music Library in Ottawa, Canada.  Smaller collections of her work may also be found at the Library of Congress in Washington D.C., and the Music Library of the University of Toronto, Canada.

Dates

  • 1940’s – 1997
  • Majority of music scores and manuscriptsmaterial found within 1940’s – 1960’s

Access Restrictions

Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Music Library staff before visiting the James Madison University Music Library to use this collection.

Use Restrictions

Copyright status for music scores shared by James Madison University and creators.  James Madison University holds the copyright to all other parts of the collection.  Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited

Users may request duplication (subject to review of music librarian) at https://www.lib.jmu.edu/music/archival-duplication/

Administrative History

The collection from Gena Branscombe’s compositions was given to the Music Library at James Madison University in 1993 as a gift from Gena Branscombe’s daughter, Gena Tenney Phenix.

Extent

1 linear foot (# archival folders and boxes)

Language of Materials

English, Music Notation

Additional Description

Abstract

Gena Branscombe, American woman composer, conductor and writer, was born in Picton, Ontario in 1881 and died in New York City in 1977.  As a child she exhibited great musical talent on the piano. Upon graduating from Picton High School at the age of 15, she entered the Chicago Musical College.  While there she studied composition with Felix Borowski and was awarded the Gold Medal for Excellence in Composition in both her graduate and post-graduate years.  She studied piano with Arthur Friedheim, Hans von Schiller, and Rudolph Ganz.  She spent four years as a faculty member of her Alma Mater, and then accepted a position as the director of the piano department at Whitman College in Washington.  She traveled Europe, which included a year’s work in composition with Engelbert Humperdinck in Berlin.  Upon returning to America she married John Ferguson Tenney of New York, and lived in New York City where she continued her musical activities.

Ms. Branscombe received many honors and awards including the annual prize by the League of American Pen Women for finest work produced by a woman in 1928, and an honorary M.A. from Whitman College in 1932.  She was awarded honorary member of the Associated Musicians of Greater New York.  She also held distinguished positions as President of the American Society of Women Composers from 1929-1932, Chairman of American Music, New York State Federation of Music Clubs from 1930-1935, and Vice-president of the National Association of American Composers and Conductors in the 1930s.

Arrangement

Compositions are grouped by published versus unpublished works, then by genre, and were assigned a call number.

Acquisition Information

The collection from Gena Branscombe’s compositions was given to the Music Library at James Madison University in 1993 as a gift from Gena Branscombe’s daughter, Gena Tenney Phenix.

Processing Information

In order to preserve the collection each item is bound in an acid free folder and placed in a climate controlled room within the Music Library.

Collecting Areas

Finding Aid and Administrative Information

Title
The Gena Branscombe Collection (https://www.lib.jmu.edu/music/branscombe_collection/)
Author
Karen Snively
Date
2010
Description rules
Describing Archives: A Content Standard
Language of description
English

Repository Details

Repository Details

Part of the James Madison University Music Library Special Collections

Contact:
880 Madison Drive
MSC 7301
Harrisonburg Virginia 22807
 (540) 568-6041

JMU School of Music Performance Collection

Finding Aid

James Madison University School of Music Performance Collection (https://www.lib.jmu.edu/music/recitals/)

Scope and Content

This is a growing collection of audio and video recordings documenting most performances affiliated with JMU’s School of Music from 1943 to the present. The original recording formats include u-matic video tapes, VHS videotapes, reel-to-reel tapes, cassette tapes, digital audio tapes (DATs), 16 inch. acetate discs, 78 discs, 33 1/3 discs, and compact discs.  As of 2018 all recordings are born digital and are preserved digital.

The primary focus has been on major ensembles, faculty recitals and chamber groups, Doctoral recitals, and special series.  Of particular note is the Contemporary Music Festival series of recordings featuring artists such as Donald Erb, Roger Reynolds, Steve Reich, John Adams, Joan Tower, and Jennifer Higdon (among the many)

Dates

  • 1943 – Present
  • u-matic video tapes, VHS videotapes, reel-to-reel tapes, cassette tapes, digital audio tapes (DATs), 16 inch. acetate discs, 78 discs, 33 1/3 discs, compact discs, and digital

Access Restrictions

Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Music Library staff before visiting the James Madison University Music Library to use this collection.

Use Restrictions

Copyright status for music scores shared by James Madison University and creators.  James Madison University holds the copyright to all other parts of the collection.  Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited

Users may request duplication (subject to review of music librarian) at https://www.lib.jmu.edu/music/archival-duplication/

Administrative History

In 1995, all available recordings were brought together under the aegis of the James Madison Music Library.  These were located by scouring administrative office and faculty donating their own recordings.  Since that time audio recordings (and in 2019 videos) were methodologically deposited with the music library.

Extent

25 linear feet (# archival boxes and born digital)

Language of Materials

English, Music Notation

Additional Description

Abstract

This is a growing collection of audio and video recordings documenting most performances affiliated with JMU’s School of Music from 1943 to the present, including major ensembles, faculty recitals and chamber groups, Doctoral recitals, and special series.

Arrangement

All recordings are cataloged (even those not available for streaming) and can be found using the finding aid. Recordings are assigned a call number according to their performance date, and tangible formats are stored in a climate-controlled facility.  Most may be streamed by clicking on the “Online Availability Option” in the catalog record.

Acquisition Information

In 1995, all available recordings were brought together under the aegis of the James Madison Music Library.  These were located by scouring administrative office and faculty donating their own recordings.  Since that time audio recordings (and in 2019 videos) were methodologically deposited with the music library..

Processing Information

The collection contains both analog, digital and tangible media files.

Subjects

Collecting Areas

Finding Aid and Administrative Information

Title
James Madison University School of Music Performance Collection (https://www.lib.jmu.edu/music/recitals/)
Author
James Madison University
Date
Ongoing
Description rules
Describing Archives: A Content Standard
Language of description
English

Repository Details

Repository Details

Part of the James Madison University Music Library Special Collections

Contact:
880 Madison Drive
MSC 7301
Harrisonburg Virginia 22807
 (540) 568-6041

Dr. Marianne Perkins Memorial String Pedagogy Collection

Finding Aid

Dr. Marianne Perkins Memorial String Pedagogy Collection (https://sites.lib.jmu.edu/stringped)

Scope and Content

Dr. Perkins attained her Bachelor’s degree in Music Education at Temple University in 1976, her Master’s degree in Education at the University of Pennsylvania in 1982, and in 1993 she completed a Doctor of Musical Arts degree in Music Education at Catholic University, Washington DC. Her doctoral dissertation, “A Comparison of Violin Playing Techniques: Kato Havas, Paul Rolland, and Shinichi Suzuki” was published by ASTA in 1995. It is used widely in music schools across the country. At the time of her death, she was working on her second book on string pedagogy with her close colleague and friend, Lynne Denig.

Marianne Murray Perkins studied directly with Dr. Shinichi Suzuki at the Talent Education Institute in Matsumoto, Japan, graduating as a Suzuki Method teacher in 1985. She studied the New Approach with Kato Havas in England and the pedagogy of Paul Rolland at the University of Maryland. She holds a special understanding of the pedagogies of the three most important string pedagogues of the twentieth century and she built a reputation for her comprehensive interpretation of string playing technique.  This collection comprises her materials in her studies and teaching.  Some material includes markings and teaching by Suzuki, Havas, and Rolland.

Dates

  • 1985 – 1975
  • Books, scores, audio recordings, moving images, still images, and study notebooks, art

Access Restrictions

Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Music Library staff before visiting the James Madison University Music Library to use this collection.

Use Restrictions

Copyright status for music scores shared by James Madison University and creators.  James Madison University holds the copyright to all other parts of the collection.  Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited

Users may request duplication (subject to review of music librarian) at https://www.lib.jmu.edu/music/archival-duplication/

Administrative History

After a competitive process, the collection was offered to James Madison University by the late Dr. Perkins, husband.

Extent

15 linear feet (# archival folders and boxes and incorporated into the performing collection)

Language of Materials

English, Music Notation

Additional Description

Abstract

While the collection is primarily about string pedagogy.  It includes extensive material from and about each of the three towering string pedagogues of the twentieth century–Shinichi Suzuki, Kato Havas, and Paul Rolland.

Arrangement

Collection is organized by format.  Many scores and books had no markings and no special archival value.  Those were incorporated into the general collection at JMU with notes in the catalog record.  All media were digitized and original media placed in storage

  • Commercial Scores and Parts, and books with no markings incorporated into general collection with notes (See list)
  • Teaching Videos (including many from her time in Matsumoto, Japan
  • Notebooks from observing and teaching
  • Sound Recordings and still images

Acquisition Information

After a competitive process, the collection was donated to James Madison University by Dr. Perkins’ husband.

Processing Information

The collection contains both digital, paper, and media files.

Collecting Areas

Finding Aid and Administrative Information

Title
Dr. Marianne Perkins Memorial String Pedagogy Collection (https://sites.lib.jmu.edu/stringped)
Author
Karen Snively
Date
2018
Description rules
Describing Archives: A Content Standard
Language of description
English

Repository Details

Repository Details

Part of the James Madison University Music Library Special Collections

Contact:
880 Madison Drive
MSC 7301
Harrisonburg Virginia 22807
 (540) 568-6041

Paul Lavalle Collection

Finding Aid

The Paul Lavalle Collection (https://sites.lib.jmu.edu/lavalle/)

Scope and Content

While the collection is primarily about Paul Lavalle, it also provides insight into other influential people he worked with. These collaborators either arranged various works within the collection or are mentioned in some way. For instance, Joe Tarto (1902-1986) was a jazz tubist and bassist who was a longtime friend of Paul Lavalle and worked with him in the Band of America in the 1950s. George Siravo (1916-2000) was a composer, arranger, saxophonist, and clarinetist who arranged concert band pieces with Paul Lavalle. Bob Freedman (1934-2018) was a Grammy winning arranger, jazz pianist and saxophonist who was known for his big band arrangements and artist orchestrations. Peter Ecklund (1945-2020) was a cornetist who primarily worked as a sideman but also arranged/composed music. Jerry Herman (1931-2018) was a conductor, composer, and lyricist primarily known for his work with Broadway theater. James Burke (1923-1981) was a trumpet/cornet soloist who played with Paul Lavalle’s Band of America from 1950-1956. Al G. Wright (1916-2020) worked as a bandleader and was the director of Purdue University’s All-American Band. He also assisted Paul Lavalle by handling the marching aspects of the McDonald’s All-American High School Band.

Dates

  • 1940’s – 1997
  • Majority of music scores and manuscriptsmaterial found within 1940’s – 1960’s

Access Restrictions

Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Music Library staff before visiting the James Madison University Music Library to use this collection.

Use Restrictions

Copyright status for music scores shared by James Madison University and creators.  James Madison University holds the copyright to all other parts of the collection.  Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited

Users may request duplication (subject to review of music librarian) at https://www.lib.jmu.edu/music/archival-duplication/

Administrative History

The collection was donated to James Madison University by Suzanne Lavalle Bothamley, Paul’s daughter. Paul Lavalle and his wife moved to Harrisonburg in 1989 in order to be closer to Suzanne, who had been working on Harrisonburg’s TV 3.

Extent

8 linear feet (# archival folders and boxes)

Language of Materials

English, Music Notation

Additional Description

Abstract

While the collection is primarily about Paul Lavalle (composer, conductor, arranger, production director, and instrumentalist performer on clarinet and saxophone), it also provides insight into the other influential people he worked with. These collaborators either arranged various works within the collection or are mentioned in some way.

Arrangement

Collection is organized by published vs unpublished works and then separated by genre (band, jazz, and string orchestra). A lettering system was devised with each letter denoting a separate category. The pieces within each category are then given a number based on acquisition order.

  • C.  Commercial Scores and parts
  • J.  Jazz Band/Big Band
  • M.  Media and other Ephemera
  • S.  Music Including Strings

Acquisition Information

The collection was donated to James Madison University by Suzanne Lavalle Bothamley, Paul’s daughter. Paul Lavalle and his wife moved to Harrisonburg in 1989 in order to be closer to Suzanne, who had been working at Harrisonburg’s TV 3. During this time Joseph Estock, who was the head of JMU’s Music Department from 1976 to 2000, reached out to Paul about conducting at the JMU School of Music, which he hoped would be the beginning of a longer partnership. A concert on November 13, 1990 by the JMU University Wind Symphony was guest conducted by Paul and the ticket profits went to a music scholarship honoring him. Additionally, Paul Lavalle served on the arts committee at JMU before his death on June 24th, 1997.

Processing Information

The collection contains both digital, paper, and media files.

Collecting Areas

Finding Aid and Administrative Information

Title
The Paul Lavalle Collection (https://sites.lib.jmu.edu/lavalle/)
Author
Allie Unger, Karen Snively
Date
2010, 2023
Description rules
Describing Archives: A Content Standard
Language of description
English

Repository Details

Repository Details

Part of the James Madison University Music Library Special Collections

Contact:
880 Madison Drive
MSC 7301
Harrisonburg Virginia 22807
 (540) 568-6041