All parts stamped “T Gregory, G1583, Local 802, Registered 1944”

Additional notation handwritten at end of 1st Alto Sax part

“Johannes Rochut, Book 182” written at end of 2nd Trombone part

2x ad libbed Guitar solo at sections D & E

“To Mike, Cup Mute”/”Cup To Mike”/”Stuffy Cups” – written on 1st, 3rd, and 4th Trumpet parts at section D

Stamped “T Gregory, G1583, Local 802, Registered 1944”

Last two measures rewritten in pencil on 1st Alto Sax part

Additional notation in pencil at end of Drum Part

“Lavalle – Basin Street: Not To Be Used On Other Shows” – handwritten on printed parts

Reed III part (Clarinet, potentially Trombone) is handwritten

First 8 bars – Drum solo

“Bone solo, Bass solo, Piano solo” written at section F of Bass part

“2x Bone, 2x Bass, 2x Piano” written at section F of Piano part

F repeats for solos, takes the DS al coda to section E, and then goes to a coda at section G

“G – Chord” written at end of most parts

Notes on Paul’s solos written on Condensed Score

Additional chords handwritten in solo in Section C – 1st Tenor Sax part

“All or Nothing, I Don’t Want Love U” – written at top of 3rd Trumpet part

optional DS to A written at end of sections D and E, although erased on all parts

Score stamped: “Bill Stegmeyer, S4168, Local 802, Registered 1944”

Parts stamped: “T. Gregory, G1583, Local 802, Registered 1944”

Manuscript score copywritten: 1937, Shapiro, Bernstein

Score starts in C concert at section A, switches to F concert at section F

On page 17 of the manuscript score the piano and bass parts are accidentally switched

2:25 written at top of Condensed Score

“Paul solo coming up tune?” – written at Section E of Condensed Score

“Lead” written at end of Trumpet I part – potential solo?

Brownie – written on 2nd Trombone Part

Handwritten notation at Section I of Drum Part