My research combines ideas of acousmatic sound, handcraft and loss which I manifest in hybrid sculptures and installations. My practice is driven by concepts related to fragmentation, spirituality, repetition, pattern, interconnection and the emphasis of meaning found in craft processes. I search for broken narratives, end-time beliefs, quotidian gestures, textile structures, and the patterns of entropy. My work considers the shifting nature of craft and tradition by deconstructing ideas of progression and time. I often employ traditional craft techniques such as weaving, felting, quilting and hand embroidery and combine them with advanced prototyping technology such as laser-cutting, digital fabric printing, and digital Jacquard hand weaving. I triangulate between the poetics of electricity, the production of the hand and the patterns found in time. How does humanity perceive its relationship to technology changing? What tension can be gleaned from understanding this change?